“Love is the ultimate outlaw. It just won't adhere to any rules. The most any of us can do is to sign on as its accomplice. Instead of vowing to honor and obey, maybe we should swear to aid and abet. That would mean that security is out of the question. The words "make" and "stay" become inappropriate. My love for you has no strings attached. I love you for free.” ― Tom Robbins, Still Life with Woodpecker
Home Staging e le nuove frontiere della valorizzazione immobiliare.
Arredare con il cuore, coniugando l’empatia e la passione con la creatività affinché la casa sia, come dice la stessa @deborah_1976, un posto dove è sempre un piacere ritornare. Un nido sicuro e protetto ma anche e soprattutto un ambiente che rappresenti chi ci vive, raccontandone ogni giorno la storia.
Questi i nuovi “must” dell’architettura d’interni e della valorizzazione immobiliare. L’Home Stager diventa colui che sa interpretare gli spazi e li prepara per LA VENDITA E L’AFFITTO, esaltandone le qualità attraverso INVESTIMENTI MINIMI che sappiano suscitare INTERESSE IMMEDIATO rimandando a ricordi o emozioni piacevoli.
“She was beautiful, but not like those girls in the magazines. She was beautiful, for the way she thought. She was beautiful, for the sparkle in her eyes when she talked about something she loved. She was beautiful, for her ability to make other people smile, even if she was sad. No, she wasn't beautiful for something as temporary as her looks. She was beautiful, deep down to her soul. She is beautiful.” ― F. Scott Fitzgerald
This sign reads ‘welcome’ in Urdu. It hangs above the door of @mcrartgallery its bright neon beckoning visitors in – well, visitors who have a grasp of ceremonial Indo-Persian welcome and a strong vocab. Some might suggest that most people walking past the art gallery don’t know what it means, so it doesn’t really welcome that many visitors. But I argue that an art gallery is the perfect place for a super neon sign like this, beaming out in the gloomy Manchester darkness, beckoning people towards it. The art gallery is a great location for experiencing not only welcome, but also concepts that might not be immediately obvious to us. ‘Khushamdeed IV’ (2017) by Waqas Khan @waqaskhan