Here is some stunning cinematography. Look carefully at the exposure levels. So many people think there such a thing as correct exposure, but there isn’t. One of the artistic decisions that a cinematographer has to make in conjunction with the director is what the exposure level should be to effect the greatest response from the audience. Here, they use a very low lighting level with a warm color balance and lots of very soft backlight to create images that are dream like and evocative. Low light has that impact. Darkness and shadow moves us. There isn’t correct in artistic decision making. It is a intellectually informed intuition. And the intuition here is brilliant. Dumbo. By the great Ben Davis (earlier I gave the wrong credit. Soooo sorry Ben).
Still the coolest camera move of all time! #Repost@reflexcinemaus
I dare say bullet time in the Matrix is the most singular cinematographic innovation brought to screen. Color, Cinemascope, 3D, none of these emerged so mature and iconic as bullet time. Even Steadicam first appeared rough around the edges. There was plenty of wobble in those early Steadicam oners. It would take Kubrick and Lucas to fully exploit what Garret Brown’s invention was capable of..
Sebab Tuhan selalu punya cara yang indah untuk membuat hambaNya selalu tersenyum
Perasaan memiliki beberapa definisi
Kata ini pertama digunakan dalam menjelaskan sensasi melalui pengalaman atau persepsi
Dalam psikologi, Perasaan sering diartikan untuk pengalaman subjektif sadar mengenai emosi. Fenomenologi dan heterofenomenologi adalah pendekatan filosofikal yang menyediakan dasar untuk pengetahuan mengenai perasaan
Banyak psikoterapi yang bergantung pada terapis memperoleh sejenis kesepahaman perasaan
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24331 minutes ago
I'm sure others are challenged by filming in night lighting, especially when there is different colored lights!